9 Frame Analysis
1. Beyonce - Countdown
The first shot in our 9-frame analysis of Beyoncé’s’
Countdown is a close up shot of Beyoncé singing. We would like to incorporate
many close-up shots into our music video as it gives a personal and emotional
element and as our song choice is emotional and powerful – close up shots would
be perfect.
The second shot is a mid-shot featuring a green screen with
black and white stripes. In our music video, we will be using a green screen to
add various backgrounds to our music video. A mid shot will be very useful in
our video as our performers will be dancing and singing and a mid-shot will be
able to show our performer fully.
The third shot in our 9-frame analysis is a split screen with Beyoncé
singing / dancing in every section. This shot is very busy and Grace and I
wanted to do something similar around the chorus of our music video when the song
is more upbeat rather than an emotional part.
The fourth shot is again, another collage. This shot is very
cool as it splits the screen several time and Beyoncé is doing the same dance
in every section. This is something that Grace and I definitely want to do as
we thought it would be a great editing technique to incorporate into our video.
In the fifth shot, again the screen has been split 4 times
and Beyoncé is wearing different clothes in each section of different colours
but doing the same dance. Grace and I agreed that this is a very cool shot but
we didn’t think the bright colours would work for our video as it is more
emotional than upbeat.
The sixth shot is a close-up shot of Beyoncé and as she is
singing the background and her clothing is changing to the same colour (orange)
whilst she is wearing a ‘stripy’ hat which stays the same. As Beyoncé’s
clothing is changing in this shot, so does her eyeshadow which makes this shot
very creative.
In the seventh shot of Beyoncé’s music video the screen
again, is split into two with Beyonce wearing the same outfit in each section
but doing different dance moves. We will probably incourperate a shot very
similar to this in our music video as it will add some variation in our shots.
The eigth shot in Beyonces video for countdown is a high
angle shot of the camera looking down on dancers. We will definitely use a shot
similar to this as we are hoping to use a lot of dancing in our video as it
will add the emotional side to the song.
The final shot in our 9 frame analysis is another split
screen. In each section of this split screen there are different things going
on e.g. dancing, eye movement and beyonce herself dancing. This shot is very
busy and we will probably not use a similar shot as it is too busy for our
video.
2. Dua Lipa - New Rules
In the first shot of our 9-frame analysis it is a title
scene, which the title and artist of the song lit up with a city background. The
title scene has a faded filter applied which makes it look more ‘retro’. This could
be an idea for the title scene of our music video but Grace and I have
currently not thought much about it.
The second and third shot of the music video, again have a
faded filter applied which again gives the impression of a ‘retro’ vibe. In the
shot, bright lights are used to make it appear pretty and highlight features
e.g. the palm trees. As this is filmed in a city, Grace and I will not be able
to replicate this as we do not have the surroundings but if we wanted to use
this feature in our music video, we would make sure we found a location that
gives a similar effect.
The fourth shot is a close-up shot of the performers face.
During this shot the camera slowly zooms out and she is performing lying down
on a bed. We probably would not use a shot similar to this in our music video as
our vision is to make our video more emotional and include a lot of close up
and mid shots and a lot of dancing.
The fifth shot is a mid-shot of the performer – Dua Lipa,
lying down on a bed and several women on the side of the bed dancing. The shot
shows a variety of colours and there is still a ‘faded effect’.
The sixth shot is another mid shot with a variety of performers
in the shot. In this shot you have the main performer – Dua Lipa in the centre
surrounded by dancers. The dancers are dancing subtly and are sat down. Grace
and I probably wouldn’t use a shot like this as our music video is more upbeat
and would require more movement.
The seventh shot is another mid shot, this part of the shot
tells a story as she goes to pick up the phone and another performer stops her
in time with the lyrics of the song. A narrative is an element that Grace and I
could incorporate into our video but have decided to make it more emotive
through dancing.
The eighth shot is another mid shot of a hallway with the
main performer slowly walking down it and her dancers coming out of rooms. This
shot again is lit up by bright lights and the performers are wearing basic
colours, again making it look quite retro.
The ninth shot is an another close up shot of the main performers
face getting closer to the camera as she is singing. In the background of this
shot you can see her dancer flicking her hair in tune to the song as it gets
closer to the chorus. We will probably use a shot similar to this in our music
video when our main performer is lip syncing the verses of the song and at an
emotional stage have dancers dancing in the background.
Overall, the shots in this music video are quite basic and
we are hoping to incorporate more fast paced and a variety of different shots
in ours to make it less boring.
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